LINDA H. POST FINE ART

The sky is still red. In order to create the sky-blue-pink I see in my head, it's important to work on everything that juxtaposes it. That way, I can work back and forth between figures, ground and sky. There are always adjustments. Do the heads emerge strongly enough from the background color? Does the sky give a feeling of infinite distance? How do I make the tents almost ethereal, blending with the sky, but still real? Lots of questions. The bonfire on the beach is coming

I often come back to the same models when I think about a new painting. (Not the birds. I always choose new birds.) After quite some time spent manipulating images of people and places, putting them together, pulling them apart, the composition settled down. Allison and Hannah (who have never been in my paintings together before now) became my muses. This one began with a snapshot of party tents my sister took on the beach in Provincetown, MA. I loved the light, which is alw