LINDA H. POST FINE ART

Creating archival prints from my work has been a learning experience. I worked closely with my long-time photographer, Stephen...

This is Soliloquy. The fifth in my series of 16" square oil paintings. The setting is still Guanacaste, Costa Rica, loosely based on a...

There is a meditative quality to this painting. The warmth of the sunlight, the soaring birds, the billowy clouds, the dancer's pose....

The fourth 16" square oil painting in this series is halfway finished. The first three have been professionally photographed. Take a...

The fourth 16" square painting is on the easel. This one features the girl in the red tutu from The Procession of Hope and Feathers,...

This new project - a series of 16" square paintings on wood panels - has challenged me to work in a much smaller format. Each of these is...

At the start of this new year, I find myself reflecting on work that sold long ago to mostly private collectors. I don't expect to see...

During the winters of 2018 and 2019, when travel was still feasible, I spent a good deal of time in Costa Rica. I stayed in a house on...

This is the second in a new series of 16" square paintings on wood panels. I don't often work in a square format, but I do like the...

The nude in the foreground is painted mostly from my imagination. I taught figure drawing from models for many years, so anatomy is...

The scale of my recent work projects the feeling of being able to physically enter the painting’s terrain and become part of the narrative.

Collecting art, displaying art in your home - how will it look in a room? Much of my art is large in scale and full of color, but it works.

This is the final stretch. With just a few tweaks (mostly bottom right, upper left) this painting will be ready for a professional photo...

There are so many shades and tones of red. Hot, cool and soft. In the dead center of this eleven-foot painting is a girl wearing a...

There are seven hands to paint in this mural-sized "parade of hope and feathers". I've written about hands before. I have always...

I usually have a fairly clear image in my head of where I want a painting to go. Of course, there are days when I stand in front of the...

In my last post, I wrote about the architecture of a painting - and specifically the very complicated Victorian gazebo that anchors the...

Painting people is what I love. The architecture of the painting is what makes them real. As much as I want to get deep into the flesh,...

Each of the characters in this painting has at least one bird companion. From a pink flamingo, a feathered mask, a seagull ruffled by the...

The underpainting is so important. The interesting part is that what you're painting isn't quite the vision in your head. It is basically...