LINDA H. POST FINE ART

0
  • HOME

  • CONTACT

  • PORTFOLIO

    • PORTFOLIO: NEW PAINTINGS
    • PORTFOLIO: GALLERY 1
    • PORTFOLIO: GALLERY 2
    • PORTFOLIO: GALLERY 3
    • PORTFOLIO: PASTELS
    • PORTFOLIO: MONOTYPES
  • SHOP FINE ART PRINTS

    • FLOAT
    • LEAPS AND BOUNDS
    • SPEAKING THE LANGUAGE OF BIRDS
    • GIRLS OF MYSTERY, WOMEN OF POWER
    • TEACHING FISH TO SWIM
    • THE ELEMENTS
  • ABOUT THE WORK

  • BIO/RESUME

    • COLLECTIONS
    • RESUME
    • BIBLIOGRAPHY
  • BLOG POSTS

  • More

    Use tab to navigate through the menu items.
    • Part of the Process
    • narrative painting
    • figurative painting
    • oil painting
    • large-scale art
    • realist painting
    • art collecting
    • paintings of women
    • surrealist art
    • woman artist
    • Costa Rica
    • bird art
    • self-portrait
    • pastel art
    • art process
    • ocean art
    Search
    How To Complete A Painting
    Linda H. Post
    • Aug 31, 2019
    • 1 min

    How To Complete A Painting

    Remember the unfinished painting that my solo exhibit at R. Michelson Galleries, The Willing Suspension of Disbelief, was organized around? When the show came down, the painting returned to my studio for some finishing touches. Once it was back on my wall, I realized that there were still some major elements that had to be changed. That's the thing about sending art out into the world. You look at everything with a fresh perspective. The sky was desperate for more definition.
    28 views0 comments
    A Willing Suspension of Disbelief
    Linda H. Post
    • Nov 11, 2018
    • 1 min

    A Willing Suspension of Disbelief

    This painting has been fleshing itself out (seriously, I've been working on some of the flesh) and I now have a working title. It's "A Willing Suspension of Disbelief", a phrase written by Samuel Taylor Coleridge about what constitutes poetic faith. In this case, it's about how one creates a perception of reality wholly based in the imagination. This is a pretty complex project. Not just the painting itself, which has a lot of moving parts and hard-to-paint details, but makin
    21 views0 comments
    Fire and Sky
    Linda H. Post
    • Sep 29, 2018
    • 1 min

    Fire and Sky

    The sky is still red. In order to create the sky-blue-pink I see in my head, it's important to work on everything that juxtaposes it. That way, I can work back and forth between figures, ground and sky. There are always adjustments. Do the heads emerge strongly enough from the background color? Does the sky give a feeling of infinite distance? How do I make the tents almost ethereal, blending with the sky, but still real? Lots of questions. The bonfire on the beach is coming
    18 views0 comments
    Musing on Muses
    Linda H. Post
    • Jul 11, 2018
    • 1 min

    Musing on Muses

    I often come back to the same models when I think about a new painting. (Not the birds. I always choose new birds.) After quite some time spent manipulating images of people and places, putting them together, pulling them apart, the composition settled down. Allison and Hannah (who have never been in my paintings together before now) became my muses. This one began with a snapshot of party tents my sister took on the beach in Provincetown, MA. I loved the light, which is alw
    36 views0 comments
    Light
    Linda H. Post
    • Dec 3, 2016
    • 1 min

    Light

    The light is mysterious in this painting. Perhaps that's because I originally planned a brilliant blue sky. The deep red has a presence
    24 views0 comments
    Losing the White
    Linda H. Post
    • May 8, 2016
    • 1 min

    Losing the White

    Faces are my favorite subject to paint. I treated myself this week to both faces - and threw in a start on the flying seagulls too. I'm attempting to get the expressions right in this first pass. If that doesn't go well... I take a rag, some turp and wipe it all away. Even if I've struggled with it for hours. Since this is an underpainting, the values and expressions at this stage really dictate where the painting goes. There's a lot of complexity coming up. "Losing the whit
    6 views0 comments
    Speaking the Language of Birds, update
    Linda H. Post
    • Sep 5, 2015
    • 1 min

    Speaking the Language of Birds, update

    So this is where I am at the end of today. This painting is just starting to gain presence and solidity. It's important to work back and forth, playing flesh tones against fabric, bodies against stone, a glimpse of sky through draperies. Getting it right, so that the painting seems so real - yet is not - hangs on how convincing the reality is. These girls have never met each other, the setting is completely imaginary, the seagull seems so important but was almost the last com
    3 views0 comments
    Speaking the Language of Birds, more drafts
    Linda H. Post
    • Sep 5, 2015
    • 1 min

    Speaking the Language of Birds, more drafts

    Three versions. Even if a painting changes radically once I put brush to canvas, I do attempt to get the photo sketch as close as possible to what's in my mind's eye. I played around with the girl on the left, and added a seagull. I really preferred the talking seagull. Then I changed the girl on the right, thinking I wanted more interaction. I liked this composition MUCH better. But something was still bothering me about the composition. It took a while to figure it out. See
    0 views0 comments
    Speaking in the Language of Birds
    Linda Post
    • Sep 2, 2015
    • 1 min

    Speaking in the Language of Birds

    Writing a blog is a bit like posting on Facebook. Since this is my first blog entry on this new website, I'll share where my painting is today, but I'll also go back to the beginning. Who isn't interested in how a painting comes about? This is where I began today. #painting #sea #seagull #carousel #girls #stonewall
    14 views0 comments

    © 2016 - 2022 by LINDA H. POST

    All images subject to copyright by Linda H, Post. No text, signature, or images may be used or reproduced without written permission.